The Vault: Project Understudy
Admission is free
The writing team is committed to complete the play Understudy to a stageable read. Script development is expected to continue in Phase 2 from September 2016 to March 2017.
THEY NEED YOUR HELP – The goal is to raise enough funds to support the writing team as they work towards a second draft and a reading in March 2017. The Centre is helping to run this fund-raising effort on behalf of the team. All proceeds collected will go to the writing development process and artists.
Synopsis
Understudy reimagines the post-‘black-out-and-curtains’ world of Tan Tarn How’s Undercover with a special guest appearance by a character from The Lady of Soul and Her Ultimate ‘S’ Machine, and three newly created characters of the next generation.
In 1993, the career of high-flying civil servant Derek is cut short when he refuses to replace his report on the findings of the committee for the cultivation of soul with one rewritten by his ‘friend’ and immediate superior. His punishment – head the country’s only broadcasting corporation.
In 1994, rookie intelligence agent Jane successfully infiltrates a theatre-group-of-interest run by renegade artist Qiang (and falls for the bad boy in the process) while foiling her Deputy’s secret plan to oust the head of the intelligence agency. Jane is promoted and Qiang is “rehabilitated”.
In 2016, Jane, now the Minister of Cultural Affairs, wants to award artist-in-exile Qiang the prestigious Cultural Medallion. The disgraced Deputy, now the Director for the Institute of Public Consensus, wants to stop this travesty. In tow are their respective protégés, Albert, Sophie and Vikram. Together with Derek who has reinvented himself as a media mogul, this ‘magnificent seven’ chart a treacherous path towards art, politics and ceremonial jewellery.
Will Qiang accept the Cultural Medallion?
Conceived and edited by Dr Robin Loon, and organised by NUS Thespis, Project Understudy explores sequels, scruples & satire using a collective writing creation process. Inspired by the processes of devised theatre, seven writers were assigned one character respectively. Not only not only must they create and explore that character thoroughly, the writers also have to ensure their characters interact with one another through plotted scenarios and situations. Instead of taking matters to the floor, the writers took to the screen around a table and created draft 1 of Understudy.
Join the writers as they share with you their process of collaborative writing in Project Understudy and read you excerpts from draft 1 of Understudy.
Video Documentation
The seven writers introduce their project to develop a sequel to Tan Tarn How’s play Undercover. Titled Understudy,the writers briefly share their strategies for writing the sequel collaboratively, which include, writing for only one character each, monologue-writing, taking turns to write lines for scenes, and collectively following one master narrative.
The Artists
NUS Thespis
Thespis is a non-profit arts interest group founded in 2008 by a group of National University of Singapore (NUS) Theatre Studies students. Thespis is a place for young artists to explore, and create theatre, by experimenting with different creative processes and methodologies. It is a platform especially for collaborative work (between students and alumni), with the interest to nurture and hone the craft of theatre-making among young aspiring artists. Their productions seek to interest and critically engage audiences by rethinking performance concepts.
Resources
Photographs
Photographed by Sharmaine Goh.
View more at: Centre 42 Facebook
Next-Stage Development
The presented script was put through the Boiler Room incubation process comprising phases for construction and writing for further development. Following the incubation process which began on 17 March 2017, the first draft submitted was reviewed by a director with a cast of actors while working through the Test Read, slated for 11 July 2017. Read more about it here.