Open Waters by Tan Shou Chen & Jaturachai Srichanwanpen

Start date of Residency
October 2016
Masthead Image
Masthead Image
October 2016

Synopsis

Singaporean Shou Chen, and Thai Jaturachai are talking. In conversation, they weave a new creation myth for the other’s cities: The boring life of a Bangkok urbanite is transformed when the Chao Praya is moved on kilometer to the West; a mysterious girl bourne of the ocean goes on a quest to find her history. This is a myth about two histories, two cities, two people, two bodies. The space they create is a canvas, a city made by two people – one from Bangkok, one from Singapore.

Open Waters was developed under Centre 42's Basement Workshop (now known as the Creation Residency). Read about Basement Workshop here.


Development Milestones

October 2016 - January 2018
In-Residence at Basement Workshop
by Centre 42
26 - 28 May 2017
Work-in-Progress Preview at Thong Lor Arts Space, Bangkok
As part of Bangkok Theatre Festival: Asia Focus 2017
18 - 19 November 2017
Presented at Room 401, Bangkok Arts and Cultural Centre
As part of Bangkok Theatre Festival 2017
13 - 14 January 2018
Singapore Presentation
at Black Box, Centre 42

Creation Process

Open Waters is a new work created through a collaboration between Singaporean artist Tan Shou Chen and Bangkok artist Jaturachai Srichanwanpen (“Chuan”).

Open Waters seeks to write a new creation myth for Singapore and Bangkok, using water myths as a starting point. Water is a recurrent trope in both Singaporean and Thai cultures. The collaborative process between Singapore and Bangkok contemporary theatre-makers involves cross-cultural creation, drawing heavily from the histories and existing traditional arts found in the artists’ respective countries to develop a new, contemporary story for theatre.

Over the course of 18 months, Shou Chen and Chuan will devise and develop Open Waters through research, workshopping and readings.

Phase 1 (October 2016 to March 2017)
The first phase involves research into Singapore and Thai stories and myths to gather thematic ideas and build a basic story structure. Shou Chen and Chuan will also learn a traditional art form from either country to facilitate storytelling. From Singapore, the pair will learn puppetry, specifically Wayang Kulit and Chinese Marionettes, from Tan Beng Tian, artistic director of Singapore puppetry theatre company The Finger Players. From Thailand, Shou Chen and Chuan will learn traditional Khon Dance.

Phase 2 (April to September 2017)
This phase involves devising, writing and reading the play. Between April and September 2017, Shou Chen and Chuan will devise and write Open Waters in Singapore, with the aim of producing a first draft and refining it. The draft will receive a public reading at the Bangkok Theatre Festival: Asia Focus in May 2017.

Phase 3 (October 2017 to March 2018)
The project will culminate in two dramatised readings of Open Waters, one in November at the Bangkok Theatre Festival 2017, and another in January 2018 in Singapore. The purpose of these readings is to invite producers or festival directors to view Open Waters and generate interest in bringing the work to a larger audience. Shou Chen and Chuan will also share their process of creating the play.


Interviews

11 Apr 2017

Shou Chen and Chuan share why they wanted to work together and how they conceived their project to write a play about both Singapore and Bangkok. They also talk about what it’s like to work with a dramaturg (Ng Yi-Sheng) and the 18 months they have to develop the play. Recorded and edited by Daniel Teo.

16 Aug 2017

Shou Chen and Chuan talk about their experience performing a first public reading of “Open Waters” at the Bangkok Theatre Festival Asia Focus in May. They also discuss the feedback they received from the audiences there. Recorded and edited by Daniel Teo.


Other Resources


Profiles

Ng Yi-Sheng
Dramaturg
Jirakit Soonthornlarpyod
Image Designer
Justina Khoo
Stage Manager
Gabriel Chan
Lighting Designer
Wichaya Artamat
Surtitle Operator
Cholatep Nabangchang
Translator