7 October 2016 – 23 October 2016 @ Drama Centre Theatre

Synopsis

A group of 20-somethings face a future filled with fear and uncertainty, amidst social and political unrest, poverty, drug abuse and HIV/AIDS: Mark, an aspiring film-maker; Roger, a doomed musician; Collins, a “vagabond anarchist”; Angel, a transvestite street busker; Mimi, a troubled dancer; Maureen, a wild-child performance artist; hot-shot law student Joanne; and Benny, the one who “sold his soul” and became a “yuppie”. As they face their many challenges, friendships become fractured, hearts and bodies get broken, and their will to survive is pushed to the limit.

Ultimately Rent is a powerful and passionate testament to hope, humanity, friendship, and above all, Love.

Rent premiered in 1996, winning the Tony Award for Best Musical, and the Pulitzer Prize for Drama. Pangdemonium is proud to be staging this 20th Anniversary production of this much-loved and acclaimed modern classic.

Written by: Jonathan Larson
Directed by: Tracie Pang

Starring:
Aaron Khaled
Benjamin Chow
Cameron MacDonald
Frances Lee
Juan Jackson
Mina Kaye
Mitchell Lagos
Tabitha Nauser
Andrew Marko
Cheryl Tan
Crenshaw Yeo
Erwin Shah Ismail
Seong Hui Xuan
Siti Maznah
Oliver Pang
Venytha Yoshiantini

(Source: Pangdemonium Website)


other stagings


credits

Jonathan Larson
Playwright
Tracie Pang
Director

artefacts

RENT (2016), Review
No Day But Today Pangdemonium’s staging of Rent coincides with the musical’s 20th anniversary – Rent originally opened on Broadway in 1996.  Some may of course remember Karen Mok’s stint as Mimi in the 10th Anniversary touring production that came to Singapore in late 2005. Having watched that 2005 production and come away utterly confused (it was my first encounter with the musical, which would gradually turn out to be a life-long love affair), I find myself here, almo
Jocelyn Chng
Reviewed: 7 October 2016
RENT (2016), Review
跨越时代的歧视,与爱 好的故事和剧本,即使相隔了数年甚至是数十年,在不同的时空背景下被重新演绎,依然能够带给观众满满的共鸣和感动。而《Rent》就是这么样的一部音乐剧。凭借着精彩与细致的故事和情节,这部音乐剧除了体现出对于社会边缘人的歧视和不公平,剧里Mark对于制片的执着、Roger对于写歌的热忱、Joanne坚持向不公平抗争的意志等也不断的唤起观众对于追求梦想和坚持信念的反思。 然而《Rent》对于“爱”的刻画却是这部音乐剧最精彩,也是最让人动容的元素。Roger和Mimi从误解到相爱、Maureen和Joanne这对同性情侣的分分合合以及Collins与Angel的阴阳两隔;除了饱满了整个剧情,不同角色间对于爱的追求和际遇也让观众在看戏的同时经历了爱情的各种面貌。这样的一个剧情编排也让观众有机会去感受和思考,不管是异性恋、同性恋或双性恋,所要面对和经历的“爱”其实都一样,并不会因为性别或性向的差异而有所不同。 今年已是《Rent》这部音乐剧问世的第20个年头。虽然在这20年间世界改变了许多:艾滋病不再意味着离死期不远,同性恋、双性恋及跨性别等议题也渐渐的不再那么避忌。然而不变的是,同性
Zekson Tan
Reviewed: 10 October 2016