7 March 2019 – 10 March 2019 @ P7:1SMA

Synopsis

“What you allow is what will continue.”

This International Women’s Day, -wright Assembly is teaming up with men and women of different art disciplines to present Kotor, an interdisciplinary performance that responds to Natalie Wang’s texts in her anthology The Woman Who Turned Into a Vending Machine.

Creative Producer: Farhanah Diyanah (FD)
Co-Producer: Kaykay Nizam
Choreographer: Ismail Jemaah

Performers: Kaykay Nizam, Shaun Lim, Sufri Juwahir

Sound & Multimedia Artist: Aqilah Misuary
Graphic Designer: Sadiq Sukiantor
Marketing Manager: Shaifulbahri Mohamad

(Source: -wright Assembly Facebook)


credits

Kaykay Nizam
Co-Producer, Performer
Ismail Jemaah
Choreographer
Shaun Lim
Performer
Sufri Juwahir
Performer
Aqilah Misuary
Sound Artist, Multimedia Artist
Sadiq Sukiantor
Graphic Designer
Mohamad Shaifulbahri
Marketing Manager

artefacts

KOTOR (2019), Review
Kotor Aqilah Misuary, despite her petite stature, stands as the most powerful person in the room. She hovers above a white pedestal, expressionless and goddess-like. Headlines of violent acts committed against women thatch the walls behind her. A black ring encircles the room, and three men (Ismail Jemaah, Mohamad Sufri Juwahir and KayKay Nizam) enter. They sway their bodies, stretch their muscles and unbutton their white vests. I tense, sensing danger even though I am safely seated beyond their touch. I
Teo Xiao Ting
Reviewed: 8 March 2019