2 April 2010 – 10 April 2010 @ Esplanade – Theatres on the Bay

Synopsis

A storm strikes a ship carrying Alonso, Ferdinand, Sebastian, Antonio, Gonzalo, Stephano, and Trinculo, who are on their way to Italy after coming from the wedding of Alonso's daughter, Claribel, to the prince of Tunis in Africa. The royal party and the other mariners, with the exception of the unflappable Boatswain, begin to fear for their lives. Lightning cracks and the mariners cry that the ship has been hit. Everyone prepares to sink.

Miranda sees the shipwreck and asks her father to do anything he can to help the poor souls in the ship. Prospero assures her that everything is all right and then informs her that it is time she learned more about herself and her past. He reveals to her that he orchestrated the shipwreck and tells her the lengthy story of her past. The story goes that Prospero was the Duke of Milan until his brother Antonio, conspiring with Alonso, the King of Naples, usurped his position. Kidnapped and left to die on a raft at sea, Prospero and his daughter survive because Gonzalo leaves them supplies and Prospero's books, which are the source of his magic and power. Prospero and his daughter arrived on the island where they remain now and have been for twelve years. Only now, Prospero says, has Fortune at last sent his enemies his way, and he has raised the tempest in order to make things right with them once and for all.

After telling this story, Prospero charms Miranda to sleep and then calls forth the spirit Ariel, his chief magical agent. Prospero and Ariels's discussion reveals that Ariel brought the tempest upon the ship and set fire to the mast. He then made sure that everyone got safely to the island, though they are now separated from each other into small groups. Ariel, who is a captive servant to Prospero, reminds his master that he has promised Ariel freedom a year early if he performs tasks such as these without complaint. Prospero chastises Ariel for protesting and remains him of the horrible fate from which he was rescued. Before Prospero came to the island, a witch named Sycorax imprisoned Ariel in a tree. Sycorax died, leaving Ariel trapped until Propero arrived and freed him. After Ariel assures Propero that he knows his place, Propero orders Ariel to take the shape of a sea nymph and make himself invisible to all but Prospero.

Miranda awakens from her sleep, and she and Prospero meet with Caliban, Prospero's servant and the son of the dead Sycorax. Caliban curses Prospero, and Prospero and Miranda berate him for being ungrateful for what they have given and taught him. Prospero sends Caliban to fetch firewood. Ariel, invisible, enters playing music and leading in the awed Ferdinand. Miranda and Ferdinand are immediately smitten with each other. He is the only man Miranda has ever seen, besides Caliban and her father. Prospero is happy to see that his plan for his daughter's future marriage is working, but decides that he must upset things temporarily in order to prevent their relationship from developing too quickly. He accused Ferdinand of merely pretending to be Prince of Naples and threatens him with imprisonment. When Ferdinand draws his sword, Prospero charms him and leads him off to prison, ignoring Miranda's cries for mercy. He then sends Ariel on another mysterious mission.

On another part of the island, Alonso, Sebastian, Antonio, Gonzalo, and other miscellaneous lords give thanks for their safety but worry about the fate of Ferdinand. Alonso says that he wishes he never has married his daughter to the prince of Tunis because if he has not made his journey. his son would still be alive. Gonzalo tries to maintain high spirits by discussing the beauty of the island, but his remarks ae undercut by the sarcastic sourness of Antonio and Sebastian. Ariel appears, invisible, and plays music that puts all but Sebastian and Antonio to sleep. These two then begin to discuss the possible advantage of killing their sleeping companions. Antonio persuades Sebastian that the latter will become ruler of Naples if they kill Alonso. Claribel, who would be the next heir if Ferdinand were indeed dead, is too far away to be able to claim her right. Sebastian is convinced, and the two are about to stab the sleeping men when Ariel causes Gonzalo to wake with a shout. Everyone wakes up, and Antonio and Sebastian concoct a ridiculous story about having drawn their swords to protect the king from lions. Ariel goes back to Prospero while Alonso and his party continue to search for Ferdinand.

Caliban, meanwhile, is hauling wood for Prospero when he sees Trinculo and thinks he is a spirit sent by Prospero to torment him. He lies down and hides under his cloak. A storm is brewing, and Trinculo, curious about but undeterred by Caliban's strange appearance and smell, crawls under the cloak with him. Stephano, drunk and singing, comes along and stumbles upon the bizarre spectacle of Caliban and Trinculo huddled under the cloak. Caliban, hearing the singing, cries out that he will work faster as long as the "spirits" leave him alone. Stephano decides that this monster requires liquor and attempts to get Caliban to drink. Trinculo recognizes his friend Stephano and calls out to him. Soon the three are sitting up together and drinking. Caliban quickly becomes an enthusiastic drinker, and begins to sing.

Prospero puts Ferdinand to work hauling wood. Ferdinand finds his labour pleasant because it is for Miranda's sake. Miranda, thinking that her father is asleep, tells Ferdinand to take a break. The two flirt with one another. Miranda proposes marriage, and Ferdinand accepts. Prospero unseen is pleased with this development.

Stephano, Trinculo, and Caliban are now drunk and raucous and are made all the more so by Ariel, who comes to them invisibly and provokes them to fight with one another by impersonating their voices and taunting them. Caliban grows more and more fervent in his boasts that he knows how to kill Prospero. He even tells Stephano that he can bring him to where Prospero is sleeping. He proposes that they kill Prospero, take his daughter, and set Stephano up as king of the island. Stephano thinks this a good plan, and the three prepare to set off to find Prospero. They are distracted, however, by the sound of music that Ariel plays on his flute and tabor-drum, and they decide to follow this music before executing their plot.

Alonso, Gonzalo, Sebastian, and Antonio frow weary from traveling and pause to rest. Antonio and Sebastian secretly plot to take advantage of Alonso and Gonzalo's exhaustion, deciding to kill them in the evening. Prospero, invisible to the men, causes a banquet to be set out by strangely shaped spirits. As the men prepare to eat, Ariel appears like a harpy and causes the banquet to vanish. He then accuses the men of supplanting Prospero and says that it was for this sin that Alonso's son, Ferdinand, has been taken.

He vanishes, leaving Alonso feeling vexed and guilty.

Prospero now softens toward Ferdinand and welcomes him into his family as the soon-to-be-husband of Miranda. He sternly reminds Ferdinand, however, that Miranda's "virgin-knot" is not to be broken until the wedding has been officially solemnized. Prospero then asks Ariel to call forth some spirits to perform a masque for Ferdinand and Miranda. The spirits assume the shapes of Ceres, Juno, and Iris and perform a short masque celebrating the rites of marriage and the bounty of the earth. A dance of reapers and nymphs follows but is interrupted when Prospero suddenly remembers that he still must stop the plot against his life.

He sends the spirit away and asks Ariel about Trinculo, Stephano, and Caliban. Ariel tells his master of the three men's drunken plans. He also tells how he led the men with his music through prickly grass and briars and finally into a filthy pond near Propero's cell. Ariel and Prospero then set a trap with beautiful clothing. Stephano, Trinculo, and Caliban enter looking for Prospero and, finding the beautiful clothing, decide to steal it. They are immediately set upon by a pack of spirits in the shape of dogs and hounds, driven on by Prospero and Ariel.

Prospero uses Ariel to bring Alonso and the others before him. He then sends Ariel to bring the Boatswain and the mariners from where they sleep on the wrecked ship. Prospero confronts Alonso, Antonio, and Sebastian with their treachery, but tells them that he forgives them. Alonso tells him of having lost Ferdinand in the tempest and Prospero says that he recently lost his own daughter. Clarifying his meaning he reveals

Ferdinand and Miranda playing chess. Alonso and his companions are amazed by the miracle of Ferdinand's survival, and Miranda is stunned by the sight of so many people. Ferdinand tells his father about his marriage.

Ariel returns with the Boatswain. The Boatswain tells a story of having been awakened from a sleep that had apparently lasted since the tempest. At Prospero's bidding, Ariel releases Caliban, Trinculo and Stephano, who then enter wearing their stolen clothing. Prospero and Alonso command them to return it and to clean up Prospero's cell. Prospero invites Alonso and the others to stay for the night so that he can tell them the tale of his life in the past twelve years. After this, the group plans to return to Italy.

Prospero, restored to his dukedom, will retire to Milan. Prospero gives Ariel one final task - to make sure the seas are calm for the return voyage - before setting him free.

At the end, Prospero delivers an epilogue to the audience, asking them to forgive him for his wrongdoing and set him free by applauding.

Playwright: William Shakespeare
Director: Sam Mendes
Producers: Brooklyn Academy of Music (BAM), The Old Vic & Neal Street

Set Designer: Tom Piper
Costume: Catherine Zuber
Lighting: Paul Pyant
Sound: Simon Baker for Autograph
Hair & Wig Designer: Tom Watson
Music: Mark Bennett
Music Coordinator: Curtis Moore
Musical Director: Stephen Bentley Klein
Choreography: Josh Prince
Casting: Nancy Piccione & Maggie Lunn
Line Producer for BAM: Nicholas Schwartz-Hall
International Tour Producer: Claire Bejanin

Cast & Understudies:
Stephen Dillane
Christian Camargo
Ron Cephas Jones
Ross Waiton (Understudies)
Jonathan Lincoln Fried
Alvin Epstein
Richard Hansell (Understudies)
Michael Thomas (Understudies)
Juliet Rylance
Edward Bennett
Aaron Krohn (Understudies)
Anthony O'Donnell
Thomas Sadoski
Michelle Beck
Jenni Barber (Understudies)
Ashlie Atkinson (Understudies)
Members of the Company

Musician: Shane Shanahan
Company Stage Manager: Richard Clayton
Deputy Stage Manager: Jenefer Tait
Assistant Stage Manager: Sarah Elizabeth Ford

Associate Director: Gaye Taylor Upchurch
Production Manager: Dominic Fraser
Stage Coordinator: Anthony Field
Head of Stage: Tom Humphrey
Associate Lighting Designer: Dan Large
Production Electrician: Leigh Porter
Associate Sound Designer: Jeremy Lee
Production Sound: Ross Charfield
Wardrobe Mistress: Fiona Lehmann
Wardrobe Dresser: Dean Nicholas
Wigs Mistress: Anna Morena
International Press Agent: Jo Allan
US Press Agent: Boneau Bryan Brown

(Source: Singapore Repertory Theatre Programme)


other stagings


credits

William Shakespeare
Playwright
Sam Mendes
Director
Tom Piper
Set Designer
Catherine Zuber
Costume
Paul Pyant
Lighting
Simon Baker
Sound
Tom Watson
Wig Designer, Hair Designer
Mark Bennett
Music

artefacts

The Tempest (2010), Programme
Programme for The Tempest (2010).
Singapore Repertory Theatre
Recorded: 2 April 2010